A Dead Man Talks (One Act, Fools of Chelm Play) is one of the notable playwright works by Steve Schutzman. A Question of Water (Full Length Play) showcases his ability in crafting engaging narratives. Ancient Island in the Brain (One Act Play) is another example of his diverse portfolio. Bad Feet (Fifteen Minute Play) and Blue and Darker Blue (One Act Play) highlight the range of themes in Schutzman's theatrical adaptations. Chelm Goes To War (One Act, Fools of Chelm Play) continues the tradition of humor in his works. Driver's Ed. (Ten Minute Play) and Driver's Side Air Bag (One Act Play) reflect contemporary issues. Five More Minutes (One Act Play) and Ghosts Play One (One Act Play) further illustrate the depth of his storytelling. Goodbye (One Act Play) and Italy (Ten Minute Play) offer poignant moments within his body of work. Kidnapped: Persephone in the Underworld (One Act Adaptation of the Classic Greek Myth) shows his talent for adaptation. Nailing the Books Shut (Fifteen Minute Play) and Necessary Poison (Ten Minute Play) exemplify his skill in short formats. No Chhh-anukah In Chhh-elm (One Act, Fools of Chelm Play) and No Known Country (Full Length Play) are further examples of Schutzman's diverse playwright works. Normal Is A Country (Fifteen Minute Play) and No Talking On The First Date (Ten Minute Play) maintain his engaging style. Poor Old Tom (One Act Play) and Round the World Tales (One Act Plays for Young Audiences) highlight his versatility. String Theory (Ten Minute Play) and Tammy (One Act Play) are also part of his extensive oeuvre. The Bank (One Act Play) and The Better Part (Ten Minute Play) delve into various themes. The Cask of Amontillado (One Act Dramatic Adaptation) and The Conquest of Mexico (Full Length) reflect his interest in dramatic adaptations. The Emperor's New Clothes (One Act Adaptation) and The Fall of the House Of Usher (One Act Dramatic Adaptation) showcase his ability to reinterpret classics. The First Day of School (Ten Minute Play) and The Levels (One Act Play) are additional highlights of his work. The Polite Bandit (Twenty Minute Play) and The Salesman (Fifteen Minute Play) underscore his mastery of short theatrical pieces. The Weight (Fifteen Minute Play) and Ticket to Ride (One Act Play) continue to demonstrate his range. Tree Man (One Act Play) and Trying On (Ten Minute Play) round out the collection of Steve Schutzman plays. Lastly, Werthheimer Is Dead/Long Live Werthheimer (Full Length Play) and Where Things Are (Ten Minute Play) complete the impressive array of theatrical adaptations and playwright works.